
Surreal and boundary‑pushing artworks created through the lens of a new artistic medium.
My artworks are offered in limited editions of 5.
All artworks are printed on archival canvas and are mounted on a Float Frame.
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The Faces of Noir
The Faces of Noir is a study in performed identity — portraits that feel assembled from fragments, signals, gestures, and emotional residues. Each face emerges from a field of abstraction: grids, folds, diagrams, stray marks, and symbolic interruptions. These figures are not simply seen; they are constructed, revised, and revealed in layers. Their eyes, their lips, their gestures become focal points of intensity against the monochrome turbulence surrounding them. Together, JudyX, Lennie, and Sofia form a triad of personas — sharp, enigmatic, and emotionally charged — each one a different mode of self‑invention inside the Noir atmosphere.
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Title: Solfia - The One Who Dreams - 35x35 inches - $2750.00
Sofia is the dreamer — a portrait that feels ritualistic, soft, and interior. One eye open, one eye closed: a gesture of dual perception. The hands, folds, and drifting linework create a sense of touch, fabric, and quiet choreography. The blue eye becomes a point of clarity inside the grayscale haze, while the red lips offer a single flare of emotion. Sofia feels like a figure suspended between waking and dreaming, between self‑protection and revelation.


Title: JudyX - An Explosion Waiting to Happen - 35x35 inches - $2750.00
JudyX is the most volatile of the three — a face caught in motion, almost dissolving into the storm of black‑and‑white lines around her. The blue eyes cut through the chaos like signals, while the red lips anchor the portrait with a sudden, human intensity. The surrounding marks feel like interference, static, or emotional weather. JudyX reads as a figure emerging from noise, insisting on being seen even as the world tries to blur her out.


Title: Lennie - The One Who Runs the Show - 35x35 inches - $2750.00
Lennie is the architect — a face built from structure, pattern, and deliberate fracture. The gridwork and geometric overlays give the portrait a diagrammatic quality, as if identity is being drafted rather than remembered. The blue eyes feel almost electric against the monochrome scaffolding, and the red lips introduce a pulse of warmth inside the cold geometry. Lennie embodies the tension between design and emotion, between the engineered and the intimate.
