Techno-Futurism
The Melding of Art and Technology
I don’t create AI art. I create art by using my AI assistants.
I only sell one-of-a-kind original artworks, ensuring each collector owns a truly exclusive work.
I use the dye sublimation process for printing my artwork.
A wood float frame is included in the price of the artwork.
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The Unbroken Gaze
This series, The Unbroken Gaze, begins with the face as a site of feeling. The eyes and lips are rendered with precision, holding the viewer in a moment of recognition, while the surrounding geometry interrupts and reframes that intimacy. The result is a portrait that is less about who someone is, and more about how emotion persists even when fractured by abstraction.
Each work stages a quiet struggle between clarity and distortion. The detailed features insist on presence, while the shapes and colors press against them, suggesting distance, interference, or concealment. In this tension, the portraits capture something familiar: the way emotion often reaches us through layers of noise, filter, or restraint.
Taken together, the series becomes a study of resilience. The faces do not vanish beneath the geometry; they remain, steady and insistent. What emerges is not a fixed identity, but the endurance of expression itself—the persistence of feeling that finds its way through even the most fragmented forms.
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Title: Longing for More - 40x40 inches - $3500.00
“There is no need for arms, physical violence, material constraints. Just a gaze.” — Michel Foucault
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Title: Who are these People - 40x40 inches - $3500.00
“He stepped down, avoiding any long look at her as one avoids long looks at the sun, but seeing her as one sees the sun, without looking.” — Leo Tolstoy, Anna Karenina
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Title: Do You Really Know Me - 40x40 inches - $3500.00
“Sometimes when I look at you, I feel I’m gazing at a distant star. It’s dazzling, but the light is from tens of thousands of years ago.” — Haruki Murakami
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Title: I'm Not Who You Think I Am - 40x40 inches - $3500.00
“To her, there was no touch as instantaneous and intuitive as the gaze. It was close to being the only way of touching without touch.” — Helen Oyeyemi
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