Daughters of the Dream gathers four named figures who rise from the shifting terrain of the subconscious. Rita, Vera, Sonia, and Esme appear as dream forms—bodies shaped by intuition, memory, and the soft distortions of night. Their contours are rendered through color and geometry, yet each carries the unmistakable presence of a woman encountered in that liminal space where the mind invents and reveals in the same breath.

Across the series, the dream becomes a site of transformation and return. Rita interrupts its flow, Vera aligns with its drifting architecture, Sonia composes herself within its warm abstractions, and Esme—unlike the others—returns. Her reentry suggests a cycle, a memory resurfacing, or a figure who has traveled through the dream and come back altered. The visual language moves between clarity and blur, intention and drift, echoing the way dreams hold meaning without explanation.

Together, they form a lineage of imagined daughters—figures who inhabit the threshold where emotion becomes symbol and symbol becomes story. Their presence suggests that the dream is not an escape but a generative space, a place where the self-rehearses, revises, and re encounters what it thought it had forgotten. In Daughters of the Dream, each portrait becomes a visitation: a moment of recognition with someone who may be you, or may be the version of you returning from deeper within.