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Artistic Statement

Since the late 1990s, my journey as a digital artist has been rooted in a deep and evolving exploration of the relationship between technology and creativity—a space I’ve come to call Techno-Futurism. From my earliest experiments with graphic software to the advanced tools available today, my work reflects a lifelong fascination with how emerging technologies shape the way we see, feel, and interpret the world around us.


Over time, my practice has grown to focus primarily on abstract art and portraiture, two seemingly distinct modes of expression that offer a powerful duality. Abstract art gives me the freedom to investigate color, shape, and rhythm as emotional language—revealing the invisible, the intuitive, and the unresolved. Portraiture, by contrast, offers a direct, often intimate dialogue with identity, time, and transformation. My portraits frequently drift into surreal, speculative, or abstract spaces, challenging conventional definitions of personhood and presence. Whether working in pure abstraction or figurative representation, I aim to stir the imagination and provoke a sense of mystery and emotion.


The photograph, or other digital asset, is the foundation of my creative process. Every piece I produce begins with either a photograph I’ve taken or a digital asset I’ve constructed—this has been the through-line of my work for decades. Even the most digitally manipulated or AI-generated image retains a visual DNA rooted in a moment I captured. My process combines meticulous planning with spontaneous digital experimentation, allowing me to explore both precision and unpredictability. For my portfolio, the original photographs or assets remain essential and irreplicable – making each artwork a singular expression.


Digital tools are not just means to an end; they are collaborators in my creative process. I embrace artificial intelligence, image generation software, and a variety of digital editing techniques as artistic partners—each offering new ways to change, enhance, or reimagine reality. What I find most compelling about digital media is its ability to oscillate between clarity and ambiguity, between the known and the speculative. This makes it the perfect medium for exploring the conceptual themes that animate my work: memory, identity, alienation, transformation, and the uncertain future of the human image in a rapidly digitizing world.


In addition to my visual practice, I am also a writer. Many of my artworks are accompanied by short stories—micro-narratives that deepen the viewer’s connection to the visual piece. These stories are not literal explanations; rather, they function as poetic echoes or speculative frames, offering an added layer of meaning. Writing allows me to articulate the psychological or narrative undercurrents of a piece and creates a more immersive, multi-sensory experience for my audience.


Ultimately, my goal as an artist is to inspire others to reconsider the possibilities of digital art—not as a novelty or shortcut, but as a legitimate, expressive, and deeply human medium. I believe that creativity and technology are not in conflict; they are co-conspirators in a new kind of storytelling. Through my work, I hope to invite viewers into spaces that are visually captivating, emotionally resonant, and open to interpretation. My art is both a reflection of the present digital moment and a gesture toward the future – a future where beauty, complexity, and invention remain at the heart of the human creative spirit.

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